Les Agents Doubles Productions

THEMES

BIOGRAPHIES

THEMES

Presentation :
Documentary filmmakers and authors for television, Nathalie Roy and Yves Thériault are truly passionate about legal and criminal stories. They plunged with great happiness for the first time into the creation of a play. They identified the major pleadings that could be used for the show, in addition to editing them. Nathalie and Yves have chosen the most powerful excerpts, which best reflect the spirit of each of the pleadings. They did so with the greatest respect for the eminent jurists who argued with rigor, foresight and empathy. Committed to helping the public better understand the workings of our justice system, Nathalie and Yves are delighted to be able to do so, once again, by collaborating on this unprecedented project that is Verdict.

The legalization of abortion:
In the early 1970s, a doctor of Polish origin, a survivor of the Holocaust, aroused public opinion by performing illegal abortions in his private clinic in Montreal. Women's rights advocate, Dr. Henry Morgentaler says, "If I help women have children at the time in their lives when they can give love and affection, they won't become rapists or killers. And they will not build concentration camps. »
In March 1973, in Toronto, Dr. Morgentaler declared on national television that he had performed 5,000 abortions in the past five years.
Anti-abortion groups are protesting across the country. “Morgentaler is an assassin. Why kill the unborn ?" can we read on the placards of the demonstrators. This will lead the state to raid the doctor's clinic and accuse him of performing illegal abortions, a crime punishable by life imprisonment.
Prosecuted before the courts, Dr. Morgentaler was defended by one of the most renowned defense lawyers of the time, Me Claude-Armand Sheppard, who espoused his cause with great conviction.
On November 9, 1973, at the end of a highly publicized trial, Mr. Sheppard delivered a thoughtful plea before a jury of eleven men and one woman, whom he tried to convince to acquit his client.

The rights of the LGBTQ+ community:
At the turn of the millennium, a Montreal couple who campaigned for gay rights embarked on a crusade to have same-sex marriage legalized in Quebec.
To make their union possible, the federal law must be modified, as well as certain articles of the Civil Code of Quebec.
It is the formidable family law lawyer, Me Anne-France Goldwater, supported by her colleague Me Marie-Hélène Dubé, who begins the proceedings before the Superior Court of Quebec.
“Nothing in the law defines love. These two men suffered years of prejudice and harassment. They invested themselves in their community and now they will do something for themselves: they will celebrate their love publicly. Not in a parade, or holding signs, but just saying, we're like you,” Goldwater said at the time.

In the fall of 2001, the civil trial, which pitted them against the governments of Quebec and Canada, as well as numerous religious pressure groups, opened at the Montreal courthouse.

Me Goldwater has her clients testify, who tell their touching love story. She then goes on to make a fiery plea, destroying one by one the arguments of religious groups and attacking the Canadian Constitution.

Anti-Indigenous Racism:
The discovery of the bodies of more than two hundred Indigenous children on the grounds of a former residential school in British Columbia in 2021 plunged Canada back into a dark chapter in its history. This tragedy, and others like it, have brought to light how this system of residential schools has had a detrimental effect on generations of Indigenous nations.

Thousands of children have been torn from their families and their culture, to be sent to schools run by the Church, in order to be assimilated there. They have too often been mistreated and abused there. Today, the wounds are still raw and the distrust of Aboriginal people towards institutions remains very real.
The tragedy that occurred in September 2020 at the Joliette hospital, when Joyce Echaquan, an Atikamekw mother died in total indifference, is one of the manifestations of this tragedy.

The insults towards Ms. Echaquan, uttered by members of the nursing staff and published on social networks, led to a public inquiry by coroner Géhane Kamel, a few months later.
Me Jean-François Arteau, prosecutor for the Conseil de la Nation Atikamekw, invested himself body and soul in denouncing the racism suffered by the mother of seven children. During his final representations before the coroner, in June 2021, he pleaded for a true reconciliation of all peoples.

Police interventions:
Was Basil Parasiris justified in shooting a policeman on the morning of March 2, 2007 when he broke down the door of his home with eight of his colleagues?
This is the question you will have to answer, dear viewer. During this last case, you will have the opportunity to put yourself in the shoes of a juror, after hearing excerpts from the arguments of the two lawyers.

You will hear in turn, the text of one of the most remarkable litigants of his generation, Me Jacques Larochelle, and that of a seasoned and tenacious Crown prosecutor, Me Joëlle Saint-Germain.
For the defense, Me Larochelle argued that the accused only protected his family by firing four bullets with his Magnum 357 revolver, causing the death of officer Daniel Tessier. He believed he was unlawfully attacked and would not have realized that the man pointing his gun at him was a police officer. He did so to save his life, that of his wife and children.

For the prosecution, Me Saint-Germain pleaded that Basil Parasiris intended to cause the death of the police officer when he decided to pull the trigger of his revolver. According to the lawyer, several other options were available to him, but he did not consider them.

And you, dear public, what will be your verdict?

DISTRIBUTION

BIOGRAPHY – PAUL DOUCET

Over the past 25 years, Paul Doucet has multiplied his appearances in theatre, television and cinema, interpreting in English and French roles as numerous as they are varied.

On television, he brilliantly plays the title role in the series “Jean Duceppe”; his performance earned him the Gémeaux prize for interpretation in 2003. We then see him in "Musée Éden" and "Mauvais Karma", roles for which he obtained Gemini nominations, in drama and comedy. He also played the unforgettable Georges Ste-Marie in "Unit 9", which earned him his first nomination at the Artis gala in 2013, then the Artis prize for best actor in 2014. We could also see him in "In the rescue of Béatrice » by Alexis Durand Brault, « Victor Lessard » by Patrice Sauvé and « Les pays d'en haut » by Ian England. More recently, Paul has been on the sets of “Les Framboises”, “District 31”, “Les Mecs 3” and “Indéfendable”.

In cinema, Paul Doucet has participated in many feature films. His role as Rémi in "The Three Little Pigs" by Patrick Huard earned him a nomination for a supporting role at the Gala des Jutra in 2008. He then played the role of Jonathan Aaronson, a character inspired by Coco Douglass Léopold, in "Funkytown (2011) by Daniel Roby. In 2015, we were able to see him in “Guibord s’en va-t’en guerre” by Philippe Falardeau and in “Early Winter” by Michael Rowe. The same year, he will resume his role of Rémi without "The 3 little pigs II" by Jean-François Pouliot. More recently, he has also been seen on the big screen in the films "It's the heart that dies last" by Alexis Durant-Brault, "La Garde" by Sylvain Archambault, "Antigone" by Sophie Deraspe, "L' love” by Marc Bisaillon and “Les Nôtres” by Jeanne Leblanc. In 2021, Paul plays in “L’Affaire” by Maxime Giroux.

In theatre, Paul performs on the biggest stages in Montreal. He plays at the TNM in "Jeanne Dark" in 1994 and then performs in "Rhinocéros" by René Richard Cyr at the NCT. He is then led to play the words of the plays “In Vitro”, “Cabaret” and “A tramway named desire”. More recently, Paul plays in “Le journal d’Anne Frank” by Lorraine Pintal at the TNM as well as in the successful play “Vu du Pont” by this same director.

BIOGRAPHY – MARIE-THERESE FORTIN

Marie-Thérèse Fortin is present in several spheres of the theater world. Previously artistic director of the Théâtre du Trident in Quebec City from 1997 to 2003, she directed the Théâtre d’Aujourd’hui from 2004 to 2012.

In the theater, she was in the production Elizabeth, King of England at the TNM, in the title role which won her the Gascon-Roux prize for Best Actress. She also starred in Sisters-in-Law, a musical adaptation of Michel Tremblay's play by René Richard Cyr and Daniel Bélanger which was a huge success in Quebec and Paris. She held leading roles in some fifty plays including The Trojan Women, Andromache, Agnès De Dieu, Mephisto, A Midsummer Night's Dream, The Maids, Bousille and The Righteous, The Orphan Muses, Inventory, The Game Of Love And Chance, The Imaginary Invalid, Lucky Lady , Furious and Desperate, The Atlantic Man, The Balcony, Extramoyen, La Queen's et KNOCK. In 2018 and 2019, she played Gabrielle Roy in the solo show Distress and Enchantment at TNM. In 2021 and 2022 she plays in plays St. Lawrence Girls and Victory.

She directed the plays Glass eyes by Michel-Marc Bouchard, The eagle has two heads by Cocteau, Word Mills d’Alan Bennett, Ancient Smells by Michel Tremblay, The list (whose tour in Quebec and Canada reached nearly 100 performances), The list of my desires and Rita's Education.

Marie-Thérèse is also very present on the small screen. She was from Casino I and II, Charlotte's World, A World Apart, Hard Time, The Adventures of Jack Carter, Cover Girl, 4 and a Half, L'Auberge du Chien Noir, The Ups and Downs of Sophie Paquin, Tactik, The Promise, Boomerang, The Freak And Living Memories. For her role as Claire Hamelin, she won the Gémeaux prize for best female lead: television novel in 2013 and 2014. She also plays a role in Turn and The Perfect Moments, in 2021. In 2022 we will see her in the series Cerebrum.

In the cinema, we saw it in Without Her, The Great Heat, Inch’allah, The Diary of an Old Man, The Son of Jean and we will see it in RU in 2022.

MOTS

DIRECTOR
At the invitation of the double agents and Pierre Bernard to join this necessary spectacle, I felt privileged to stage these words that marked modern Quebec. I could not have hoped for better than to lead two Quebec figures much loved by the public to support these causes that deserve to be heard again. We offer you a moment of reflection where it is essential to return to the source to ensure an inclusive and sensitive society, but above all to remember the battles that our society has fought. I hope that the show will provoke relevant thoughts in you that can evolve when you leave the room.
Michel Maxime.


PRODUCERS
Verdict is a duty of memory towards those who have contributed to defending and obtaining the same rights for all, for a more inclusive and open society. Thank you to the lawyers and prosecutors who share their pleadings with us this evening. They impose listening, reflection and aspire to respect. It is thanks to these ardent defenders that our society has evolved and that we are now aware of the progress made.
Bon spectacle,
Luce and Lucie Rozon.

CREDIT

DESIGN TEAM:
Artistic direction – PIERRE BERNARD
Staging – MICHEL-MAXIME LEGAULT
Assistant director and stage manager – CLÉMENCE LAVIGNE Scenography and props – JEAN BARD
Stylist – MELANIE BRISSON
Music – LUDOVIC BONNIER
Lighting design – ANDRÉ RIOUX
assisted by JULIE LAROCHE
Video design – ELIOT LAPRISE
in collaboration with drawings and typography ELÈNE PEARSON Production management – ​​MARIE-HÉLÈNE DUFORT
Technical direction – ÉTIENNE BOUCHER-CAZABON
Research – HELENE BÉRUBÉ
Set construction – PRODUCTIONS YVES NICOL INC. Graphic design – TRISTAN BONNOT-PARENT
Tour technical direction – ANNE-CATHERINE SIMARD-DERASPE


ADAPTATION :
Script-editor – NATHALIE ROY
Script-editor – YVES THÉRIAULT
PRODUCTION TEAM
President Double Agents Productions – LUCE ROZON
General management – ​​LUCIE ROZON
Communications/sales manager – ÉRIC NAVETEUR Production coordination – ANTOINE MENON
Advertising purchases – NICOLE LABELLE
Social media manager – ROMANE NAVETEUR
Accountant – VALÉRIE LACOSTE/KOBAS
Press Officer – SOPHIE MARSOLAIS
Program design – CAMILLE BICHET
Graphic design – NEW ADMINISTRATION
Sponsorships plus – JOSÉE DENIS AND ALAIN COUSINEAU
Avocat – ME BERTRAND MENON


THANKS :
Thanks to Geneviève L’Heureux and Stéphane Caissy, to the technicians and to the entire Gesù team for their collaboration.
Thanks to Cendrine Obadia from ZIGGY for dressing the eyes of Marie-Thérèse Fortin.